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I always want to see the CPU usage so that I can be careful about my plugin usage. Some plugins can drain your CPU, so you have to keep an eye on this. If it gets worse, I try to freeze my channels to keep adding big plugins to the project. Sometimes I have to figure out something, so I open a piano plugin to play with the song, and once in a while, I record extra back vocals.
You can do this when Low Latency Mode is on. This one also saves lives. Sometimes I decide if there are any needs for a pad synth or some extra sub frequencies from a synthesizer. And the last thing that I want is to forget what I just found.
This setting continuously records what you play on your MIDI, so you can always find the best part of your improvisation. I discovered this one later, but I love it.
Because it helps a lot to see the timing on the ruler with the bars. It was a habit when I was using Pro Tools, and I was missing that feature. I always think of the channels in groups because it helps to understand the song. For example, when you download a channels multitrack file and import it to your mixing project, it can be scary at first. Also, you can process the same kind of sounds together if you use those bus groups. For example, I always tend to compress the drums together to get the most energy out of them.
Therefore, I have to route all of them to a bus group. Having that group from the beginning is perfect for me. The bus routings are on the second page of the buses, so your primary bus names can stay the same.
You can see it below:. Set the bus groups from the beginning of a mix project, and delete the unnecessary ones. So this is why I put a VCA type compressor on the drum bus group. You can always tweak it to your liking, and I encourage you to do so because every song is different. But if you want energetic drums, this compressor will help you a lot. Sometimes I want a big, powerful sound from drums. When I want that, I use the Drum Crush bus. It compresses the signal to hell and adds some distortion to make it even more powerful.
I put there a compressor and an overdrive plugin, but you can always use its variations. For example, if you have something like a tape machine, you can add it with your favorite settings on every bus group, so you can always reach them with just a click. Then, you can start mixing with those plugins bypassed, and you can open them when you need.
There is a stereo out bus; why would I use a mix bus? Good question. I use it for a couple of reasons. Sometimes I need to send the whole mix to another bus group to parallel process it, or I can put some weird effects on it and dial with the mix. So you can do that with the Mix Bus group. Also, I always use a monitoring plugin on my stereo bus, which decreases the volume. I always keep an eye on my mix bus, and I put my limiter on the stereo out when I need it. So, the groups work like this: the channels routes to bus groups, and the bus groups routes to mix bus.
Then the mix bus goes to stereo out. I realized that I almost always tend to use a compressor on my mix bus to get the most energy from the mix, so I put a compressor on the mixing template. You have to listen to the song and dial the settings of the compressor to your likings. The best way to do this is to take the threshold all the way down to where it compresses around dB.
And change the attack and release parameters there. When you find the best settings for your mix, take the threshold back. There is no rule for that, but around 3 to 4 dB will be nice. There are some good ones. So if you got a dollar. And there you have it.
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